UNPLANNED DOWNTIME: 12th Oct 23:45
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Carrying on from the Martin prices thread, suppose you wanted a big, bold dreadnought and were thinking about an HD-28. What
else would you consider, and why?
I'm not in buy-more-guitars mode this year, so this is purely for the sake of interest. But I do like HD-28s and - who knows? - I might very well buy one one day. And, as always, I would play everything I could find that looked likely and pick the one I liked the most. Nothing beats trying things out for yourself.
But just supposing I was thinking about an HD-28 this week, which others guitars would you recommend trying, and how do they differ? For example, in the other thread I saw that
@artiebear loves his Yamaha LJ56. What makes it different to a Martin? Or if you are a J-45 player, why that model? And so on.
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@Tannin, your original definition, that is a tough thing to define. Can you define a little more ? To me it is playing finger style how close to a grand piano I can make it sounds ( never very close, but you know what I mean |). Another guy digs in with a pick with diminishing returns.
My Sobell is a monster played finger style, too much played with a pick ( no break up, just too loud, too clear ), would rather play my D41 that way.
You looking for volume or something that surrounds the player ?
The forward shifted scalloped bracing, which you can't see but you can clearly hear, makes it sound as big as a barn
I was at GuitarGuitar Camden a week ago today and the sales person and I did this test again, albeit with Mahogany back and sides (I’m on the look out for a D18 type guitar). When I moved from the Atkin J43 to the Martin D18, the first feeling I felt was I was playing a budget guitar - I kid you not. That was not the case with a Custom Shop D18.
I nearly bought a Gibson that day though - I genuinely can't remember what it was now, but a lovely dread-sized Southern-something-or-other. Only another customer had rung an hour earlier and had dibs on it so that was that. The Gibson was mahogany, slightly less toppy, different from the wider sound of the Martin but very warm. It also had that undefinable 'feel' thing, the dynamic range that allows you to play whisper soft and then dig in hard with the pick to really punch the notes out.
I've played a bunch of Taylors in the past, enough to know they're great guitars but that kinda Gibson/Martin mashup sound isn't for me. It's a personal thing. They play very nicely though. Maybe I need to try again.
One brand I was very keen to try was Larrivee, but finding one of those in the north of England just after lockdown was proving impossible. The nearest one at the time was in Glasgow or somewhere, a bit of a drive (and probably technically illegal at the time ). I'd still like to play some just out of curiosity.
I'm going shopping in the US in a couple of months' time, looking to try and find something that beats my HD28. Atkin isn't on that list but only because they don't have dealers where I'll be looking. It's going to be fun
(Just don't ask what happens when I take it home.)
The owner had walked me round the shop and told me to pick up and play anything I liked the look of. I'd come in to try a used D-28 they had, but it was strung with bridge cables and had an almighty action. I might have been less bothered if it was a cheap Strat, but was put off taking a punt on a pricey acoustic that didn't feel right.
I found the Gibson and sat playing it for about ten minutes when the shop owner came over with a 'reserved' label in his hand looking like he'd lost something. That something turned out to be the guitar I was playing, tough luck for me. He insisted I carry on playing, but I put it back at that point all disappointed
Anyway I went back over to the Martins, picked up a few. A lovely OO-28 amongst them. Tried a brand-new HD-28 just for completeness, and left the shop with it (having paid first!).
All's well that ends well I guess, yours sounds like a closer shave - bad luck!
Bad thing is that I now want more Probably a good thing they don't do a maple jumbo.
If I wanted a cheaper HD28 I think I'd buy a D28 - retailing new for about £2.8K. I'm not such a brilliant player that I would notice any differences as better - just different. And that's the thing for me with Martin's current sales pitches. I'd still have a Martin, it would still be great and I'd be just as happy. Scalloped bracing vs. not scalloped? Not clever enough to notice. Different blingy bits? Well not that blingy in either case and, anyway, not bothered.
I would be just as happy with a new Yamaha FG (waiting for the posh FG after FG5 to come out, when it does) or an LL16 and I'd be able to have both for the price of an HD28 (or a D28 for that matter!).
Stand-ins? I would love a Hummingbird or an Atkin Essential D or a Furch Vintage 1 Series too. Any of them would give me great pleasure and would be great to own.