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I find the 5" depth can be a struggle on the arm sometime so I might look at an 00 or OM body with different woods
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What’s the sound like going between 00 and 000 ?
Mahogany and spruce?
00's can be boxier, but are you flat picking or playing finger style?
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I'm not locked in here with you, you are locked in here with me.
I like aspects of all of them and they have their specific advantages.
I have a 00-12 and OM in spruce and mahogany and they are almost impossible to compare, they are two very different guitars.
All my guitars are spruce and mahogany aside from the 00-14, but they are all very different in character. I think the bracing is the most important aspect to it all.
Dreadnought, for me. They just sound better.
If it matters I'm 5'6", skinny and with small hands too...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm not locked in here with you, you are locked in here with me.
(And a Vintage 00-000 size, but one day I will replace that with a Gibson or Epiphone J-160E electric round-shoulder Dreadnought .)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
if a guitar sounds huge acoustically, (lots of bass) that can be a guitar that is hard to amplify. Lowdens, as
an example are the opposite to Maton, lightly
built and sounds amazing unplugged but in a live situation take a lot of tweaking as they
are too boomy.
So i guess I’ll be looking next for something that I can play at home to record that Is inspiring to play,
balanced and comfortable.
I guess I like parlours the least (probably because I've only played a handful and they were all tinny little things - people tell me a good one can be great) and I'm not a big fan of dreadnoughts, though I love a good jumbo.
So in order:
* OM (AKA 808 AKA Grand auditorium AKA all those other names for the same thing)
* Jumbo
* Dreadnought
* Parlour
Having said that, two of my five guitars are dreadnoughts, though I've nearly decided to sell one of them in favour of another 808.
Which Maton is that, Dean?
I went into Hobart (my capital city) on Thursday to make enquiries about them. The tricky bit is that I haven't been able to play any example other than the Artist (in a different shop at the other end of the state) and I'd like to have a better idea before I order one. I'll probably have to go to Melbourne for that - it's a four hour drive and a $500 overnight ferry ride, but 25 times the size of Hobart (lots more shops), and also Maton's home town. You used to be able to make an appointment to go into Maton 's factory showroom and try stuff out, which you could then purchase through your Maton dealer, but in these Covid times I imagine that factory visits are off the radar.
The difference between the two makes it interesting.
000 is comfier and the string spacing seems to work well for folky picking.
Dread is the clear winner for strumming and sheer oomf. It's not so comfy for me while seated, but standing up I don't notice the difference so much.
Aesthetically, I prefer the 000, though, as I like a guitar to have more of a 'waist'
I'm a similar build to you by the sounds of it, I wish I could get on with them but I just find them too big and cumbersome.
Dreadnoughts for me too. I've tried 000 and OM style guitars and while they sit in my lap more comfortably they just don't sound right or "feel" right to me.
There's nothing like playing a Dreadnought and feeling the back of it vibrate right through you. I've got a gorgeous Martin D-18 that's my main squeeze but I've owned a few J-45's before and would love to have one again some day, even if it's just to look at the thing.