Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
It's the only thing I've ever tried. Someone recommended it to me when I needed an acoustic preamp, and it works.
Been getting some hum with it lately that I can't figure out how to eradicate, but otherwise it's great.
I can put vocals into the AER as well as guitar and it has a great ability to radiate sound, so it basically means I can do a gig with just that. One trip in from the car, job done. If I ever find myself doing a bigger gig again in the future I'd use the line out from the AER into the house PA and keep the AER as a monitor.
Gibson Dove or Martin 12-string: passive Fishman UST into Boss AD-8 into Acus One or PA.
Vintage V300M - Fishman Rare Earth into Boss ME-50 into Peavey Studio Pro. This is for electric-acoustic sounds with overdrive and electric guitar effects.
I would probably just plug the Rare Earth straight into the PA for open-mic type stuff too, but there hasn't been any of that since I got it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Sometimes i will have a mic too at gigs and mix the pair, but its rare.
K&K Pure Mini --> FlyRig Acoustic --> PA
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Been using that in various acoustics for ~15 years now. I'm sure I read once or twice I'd be better off using the K&K Preamp in the middle to fix an impedance mismatch, but it's always sounded great. Occasionally I get GAS to put together a more feature-rich acoustic rig (dedicated pre-amp pedal, pedal tuner, boost etc), but I've done many gigs with this setup and never had any complaints.
The ToneDexter does look cool though...
The downsides are: 1. Volume is Ok for small spaces but it certainly is not a stadium filler.
2. It has a highly tasteful brown leatherette casing and lots of classic looking knobs and lights. Therefore for impromptu public performances/busking this makes it somewhat vulnerable , but it's quite heavy so I am confident that I could catch anyone who tried to run away with it... but what happens then, I don't like to think about...
I don't have an electro-acoustic and I don't play acoustic out, so it does just fine au naturale.