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As @danishbacon says, they are Czech-made Furch guitars which were rebranded for the UK and US markets to sound more 'familiar' than Furch. They did this for a few years before reverting to just using 'Furch' on everything once they had more of a presence in the market (I assume). They are top-end guitars, absolutely beautiful to play and sound wonderful. I've had mine 9 years from new and it will be with me for life. Here it is
https://i.imgur.com/AZcTQ09.jpg
I have a "Stanford OM5 Vintage" guitar. The headstock just has an inlayed "S" and the label says "Stanford by Frantisek Furch".
I bought it new in 2009. Not sure if it preceded, followed or overlapped the Stonebridge line but it's all very confusing. I have vague memories of it being something to do with a German distributor/partner but I might be wrong (and often am). There were definitely Far-Eastern made Stanfords as well as the Czech-built models costing quite a bit more. Not sure if this was the case with the Stonebrige guitars. I think not but the label might indicate if it's a Czech built model.
I did read at the time that these alternative brand names were because "Furch" would not be taken seriously because in the Czech Republic it's pronounced the same way as the verb we use to describe sexual coupling. It's plausible I suppose but unnecessary as every English speaker I've heard mention the brand pronounces Furch to rhyme with "church" and would never think to do otherwise. It seems like a bit of dog's breakfast really....
Speaking of which, here's my OM. An unusual thing in being an OM (long scale and 14-fret neck join) but with a slotted headstock. It's definitely in Martin territory in terms of sound and cosmetics. 44mm nut but feels a bit wider than some with this measurement (string spacing?) makes it a great fingerstyle guitar, the long scale gives the OM sound and helps a bit with dropped tunings, if that's yer bag. Gloss finish with a satin neck, lovely herringbone inlay and rosewood back/sides too.
It's been on the "get rid of" list for a while as I seem to have settled on shorter-scale, mahogany bodied guitars. Certainly if it had these attributes, I'd be keeping it. That said, I recently tightened the truss rod 1/4 of turn and it made an amazing difference to the playability - which may have been one of the reasons I wasn't playing it too much.
Edit: Mine is a Furch branded instrument, but as @DiscoStu says, they’re the same as Stonebridge. It’s just marketing.
The Stonebridge models are all Furch models with the 'F' on the headstock replaced with an 'S', and a Stonebridge label in the soundhole. That is all that makes them Stonebridge, other than that they are full-fat handmade Furch guitars from the Furch factory. Stonebridge was purely a marketing exercise to break in to the UK and US and it worked, as the Furch name is now more well known and highly regarded in both territories.
https://www.theminorchord.com/Instruments/Furch/images/Furch_Yellow_GCR_headstock.jpg
https://eagle-images.imgix.net/XL/stonebridge-headstock.jpg
The label says "Custom Guitars - Stanford - Frantisek Furch" with the model and serial number hand-written on.
I'd never really thought about it but nothing actually says "made in the Czech Republic", although that was definitely how these models were marketed (I seem to remember a similarly specified "vintage" dreadnought, possibly slope-shouldered but definitely with the slotted headstock).
This article says that Stanford was started around 1990 by Mr Furch and a German designer (maybe that was why I remembered a German connection?) and that the "Artist Series" were made in the Czech Republic. The Chinese guitar reviewed was from the lines you mentioned, presumably the Performer series, which started in 2007.
Certainly, I paid Czech-made money (though still good value) for mine rather than the price mentioned for the PSRD10 reviewed.
Just went back to the shop for a couple of guitar straps, but played the Stonebridge again. I don't think I'm going to make it through the week, it's such a warm sound and plays so effortlessly. I'll gladly sell my Guild D40 to make room for the Stonebridge.
The model is G20CM, cedar top, sapele back/sides, all solid, comes with a gig bag, $499. So about £365 from where you stand.
We'll see what happens here with this Stonebridge. I have a weird feeling of jealousy at the very thought that someone else will buy it first.
You guys are either good friends or total enablers. Either way, thanks for the support! The cedar top is new for me, and the auditorium size body is a good compromise between the bassy dreadnoughts that I usually like and the 00 type stuff that doesn't have enough bass for me. My most comfortable acoustic overall, especially sitting on the couch.
I own 8 Furch myself
Enjoy!
http://imgur.com/a/vldSvNC
There you go...
Looks great!
I own a G25 SK (Koa back and sides - the most beautiful i own), GN4 SR, OOM 3 Vintage, OMc 23 LR, G 25th Anniversary - Quilted maple back and sides, OM35 AG (madagascar rosewood) a Red Plus SW and Red Plus G SR . I have a couple more to sell, but those are from my "collection".
I have owned and sold many more models. The ones I ready do regret selling is an OM 24 SR . One of the best sounding I ever got.
I lived in Czech Republic and Furch is my one of my favorite brands.
If you have any doubts let me know, I am glad to share my thoughts.
https://imgur.com/a/oigJ5vt
His mate (whose name I unfortunately forget) was playing a Stonebridge and Jerry was playing one of his telecasters.
They were both plugged into a modest PA system, JD through the Award Session preamp and the acoustic may have been through something outboard too.
The acoustic was one of the nicest amplified acoustic sounds I’ve heard.