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But...
I heard about that magical evening B.B.King asked Billy Gibbons why he works so hard with heavy strings.
He started using 8's after that!
Actually, going between my Electric and Acoustic is now with a more familiar feel.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The sound of it can be quite pleasant with certain guitars.
We (D'Addario) designed and released Nickel Bronze strings a few years ago as a direct results of these experiments. Several bluegrass and traditional players told us they were using electric strings and so we worked to come up with something of a hybrid. Nickel Bronze is essentially a nickel-plated phosphor bronze. They ring and sustain better than electric strings do (on an acoustic) but have an interesting hybrid, almost flat sound.
Sorry for what sounds like an advert haha, but worth checking out if you are interested in that sound.
https://www.daddario.com/products/guitar/acoustic-guitar/nickel-bronze/
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www.adamironside.com
www.youtube.com/Adji87
I hated those strings. I got given a set at a guitar show. I took them off after a couple weeks and put regular phosphor bronze back on.
People either love them, or hate them, rarely an inbetween.
It is very guitar dependant too, as are most strings.
____________________
www.adamironside.com
www.youtube.com/Adji87
To avoid any bias in advance I never mentioned that the strings are 9-46 electric strings, which I've used since a hand injury a couple of years ago.
I wouldn't do any serious recording with this setup, but it sounds pretty good live and I can do a three hour acoustic gig without hurting myself. Why struggle?
And I'm not even a believer in heavy acoustic strings either, I usually use 11s.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
While it obviously works pretty well plugged in, the acoustic sound really is very weedy, though ideal for late night sofa noodling which the J-35 definitely isn't!
The older Monel is a steel resistant to corrosion especially from salt water hence the use for strings. The perception for tone and your preference is very subjective but Monel brings a more steely and some would say broader, more complex sound. Less sparkly and definitely less bright. Some feel they suit mahogany. I use 12's (Martin MM12) on my Martin OM28 Reimagined (Sitka/Rosewood) and Yamaha FG5 (a Sitka/Mahogany dread) and love them. Especially that they're so much cheaper. But I learnt on an FG in the early 1970's so was probably playing on Monel back then. I didn't really take an interest what I was playing on but the strings were definitely steel coloured rather than bronze coloured!
Anyway Monels worth a shot if you're exploring different tone IMHO.
The 85/15 are a weird one. They are designed for the export market only (i.e. Non-US) and were originally called American Bronze. They were designed to give the 80/20 kind of tone, whilst being more affordable in emerging markets.
They have since developed an audience of their own, as you have experienced, sometimes it really suits a guitar. Honestly though, most people buy them because they are the cheapest D'Addario branded acoustic string.
____________________
www.adamironside.com
www.youtube.com/Adji87