UNPLANNED DOWNTIME: 12th Oct 23:45
K&K won't fit - is iBeam any good?
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Went to pick up my D28 Authentic '41 only to be told that there were 2 problems trying to fit a K&K Pure Mini:
1. due to the shifted bracing (it's shifted the 'other' way than is more normal) he couldn't get the plastic template thing in place
2. The bridge plate itself is very narrow and the elements would overhang it
By this point he'd already fitted the endpin so I've left it with him while he investigates other options - he said he's going to look in to the Baggs iBeam - not one I've heard of - apparently it too attached to the inside somewhere (not an under saddle thing)
Anyone familiar with these?
Any other options to consider?
I don't want anything that goes under the saddle, and was very set on the K&K :-(
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It also comes in either passive or active versions - as always, I would go for the passive and get an outboard preamp.
If you don't want a UST, the other options are basically something like this, or to fit the K&K sensors in "non approved" positions, which will work but may have very unpredictable results, or a magnetic soundhole pickup... which I assume you don't want either.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I think if I got a non-standard fitting of the K&K done even if it sounded half decent I’d forever be wondering if it was right/should be better and drive myself nuts (and I’ve read some comments that it can sound pretty pants too that way sometimes)
And you’re right - I’m not keen on hanging anything heavy off the soundboard either - this is primarily an out and out acoustic for me, the pickup is a nice-to-have (but if it is to be had, I want it good)
The reviews I’ve found of the iBeam seem to be pretty old and fall into 2 camps - a couple of commercial reviews that say it is good, and lots of forum posts saying it is less nice than the K&K. Hard to tell. (Not saying i don’t believe you @CMW335 ! :-) )
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I don’t think it sounds as good as the K&K - but it’s not bad, and if it’s the only practical option then I would probably go with it. If your intention is just to have a basic amplified sound that you can use with the least fuss and alteration to the guitar then it’s fine.
If you’re after the best possible reproduction of a mic’ed acoustic sound I honestly think you will get better results with a piezo UST and a good outboard modelling preamp like the Fishman Aura though - or the Zoom AC-3... don’t laugh, have a listen to the clip in p90fool’s thread.
I had this problem with the Aura too - when dialed in just right it sounded fantastic, but if not then it sounded dreadful, which made it unsuitable for gigs where I could never tell what it was going to sound like out front.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
What about those internal mics that are kind of on a stalk that extends into the body from the end pin? I can’t remember the make I’m afraid.
Either that or soundmen are so used to the shitty sound of a UST going direct that they think that's what an acoustic guitar actually sounds like, and try to make it like that on purpose!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
https://m.thomann.de/gb/schatten_design_hfn_player_passiv_447015.htm?o=0&search=1585049813
I had an iBeam active for a while. It was OK but eventually got retired (never gigged) and the preamp got repurposed for another pickup.
I have a K&K in a cheap Crafter dread which works great with the Tonedexter. I played another similar Crafter with the HFN fitted, it was very impressive.
Aaron Short has done some video reviews on YouTube which you may find interesting. I'm normally suspicious of YT reviews but AS seems to be pretty level-headed and a reasonable judge with plenty of reliable benchmarks in his experience.
The magnetic section is fine ... if you happen to like twenty year old sound hole mag pickup designs. The gooseneck condenser mic sounds terrible, no matter which way you aim it. Additionally, the Blend concept is that the mic is supposed to enhance the mag. There is no provision to do things the other way about, such that the fuller mag sound reinforces the sterile/brittle condenser mic signal.
I am aware that the Maton Tommy Emmanuel signature model employs a mag/mic blending system. Whatever technology it involves, the results are considerably better than the ol' Fishman.
For full disclosure, I use L.R. Baggs Lyric. I arrived at this decision after disliking the UST half of the Anthem SL.
L.R. Baggs M80.
Agreed. I detested it too, for all the same reasons.
What I did find worked very well was a Fishman Matrix (plain UST version) with a Rare Earth added to it - run from the same battery and simply connected to the volume control. That gave the EQ and phase switching only on the UST, and the volume control working on both - you could adjust the blend quite effectively using the EQ (all sliders up or down at once), or turn the UST off completely by carefully setting the phase switch in the middle.
I've just been doing some experimenting with the Rare Earth, a Fishman Blackstack (essentially a Sunrise copy) and an ancient Bartolini 3AV that I don't even have a proper mount for... just fitted in a broken Strat surface-mount ring and gaffered to the guitar! The Bartolini actually holds up amazingly well, it's certainly a bit more middy and 'electric guitar' sounding than either of the Fishmans, but in a good and quite authentic rough, 'Americana' way. The Rare Earth is actually the most 'modern' - the active EQ gives it a more scooped and sparkly sound, and the Blackstack is nice but in my opinion doesn't justify the very high price, which is more than many active systems...
Given that this is for my £20 charity shop Vintage I think I'll just make a mount for the Bartolini .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I did have them both in the guitar at the same time at one point to compare them though - but it's not quite a true A/B since they obviously have to be in different places.
I was thinking of asking you if you wanted to sell it, until I saw the price .
I also found out that Kurt Cobain had a Bartolini in his MTV Unplugged Martin D18E - presumably he didn't like the stock pickups...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
But the guitar came with a Fishman UST. The original D18 owner didn't remember which model though. I have a couple of questions.
If I remove it a new saddle should be put on the bridge? I guess its thickness is now part of the whole setup of the guitar.
I hate USTs, do hate them so much that I don't want even to try it. But now I have an HX Stomp, it's not an Aura or Tonedexter, but I could apply a good IR to it. Does it worth trying?
Or would you buy an Aura to use it or a K&K to plug into my Headway EDB2?
Thanks
Feedback
Try it. Or if you're unsure, listen to this...
https://www.thefretboard.co.uk/discussion/175640/ditching-your-onboard-preamp
It's not an HX Stomp - but neither is it an Aura. It's still designed to apply modelling to a UST signal though, so that what you hear isn't the pickup itself.
I've got a Fishman UST in my Gibson, because due to a bit of annoying woodwork on the bridgeplate, I can't fit a K&K. I did have an Aura Spectrum for it, which was great when set up just right, but also *very* sensitive to precise adjustments, and could sound terrible as well as great! I currently have a Boss AD-8, which doesn't sound as great but also not as terrible... I haven't tried the Zoom AC-3 yet, but I should.
If you do remove the UST you will need to shim or replace the bridge, unless the action is currently around 1mm too high.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I've been experimenting with IRs recently. If you are half technically minded you may like to check out what jonfields45 has been doing over at AGF. Make your own IR from your guitar/mic combo.
I'm a TD user but have been playing with the possibilities for some guys I play with, fiddle, bass. I make IRs for them, then load them into a Mooer Radar (cheapest IR loader I've found). Trials on guitar look amazing.
Soundhole pickup with a trailing lead or stick a mic in front of it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson