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I really liked the Martin Black Smoke series, tried a few in Guitar Village and they were all beautifully sweet little instruments. You can pick them up for around a grand used now.
Gretsch Jim Dandy at the other end?
In between Guild, Faith and Eastman all do some lovely small body guitars.
I'd be looking at Atkin for something smaller (00 or 000 size most likely), but that depends heavily on having the budget!
Woods - I've never been a "it must be this" type but more recently have veered more toward spruce/rosewood (rather than spruce/mahogany) but in the past I know I have enjoyed Cedar tops too, particularly for quieter/gentler playing which might suit the 'sofa' brief now I think about it.
Thanks for prompting those thoughts.
All Koa Oscar Schmidt 0 size? I have one for sale.
They sound great, are very affordable & great 'bang for your buck'.
This does not help with the leaving it out, humidification point, but thought I would tell you anyway.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Budget for a proper setup, bone nut and saddle- it will transform the instrument.
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Unfortunately, many parlours that I tried were rather lifeless sounding, too boxy and constrained. I then paid a visit to Auden Guitars in Higham Ferrers whilst visiting friends in Northamptonshire. They do a few small acoustics, two of which can be regarded as parlour models. I found the Emily Rose (12-fret, slotted headstock) a bit too short, although it sounded excellent. Next, I tried the Marlow 14-fret (solid headstock) and I was smitten. I was lucky enough to try all the different wood combinations they had in stock and eventually settled on a spruce/rosewood model. The thing that, for me at least, set both parlour models from Auden above the other parlour acoustics I tried, is the bigger sound they deliver due to a slightly deeper than usual body. It's not enough to make the guitar feel big, but sufficiently deep to produce a sound that belies the guitar's dimensions. The Marlow sounds not unlike an OM/OOO in some situations. I own three other acoustics, two of which are considerably more expensive than the Marlow, but it's the one I reach for most. In fact, it's one of my most played guitars (including too many electrics) because it's so damn comfortable.
Now the slight fly in the ointment. I understand that Auden are currently not making the Marlow (it's being temporarily 'rested' from their model line-up, according to Doug Sparkes - the owner of Auden Guitars), so it's not technically discontinued. I guess Auden may have some old stock left (which they do tend to sell at a discount), or you could look for a secondhand one. Or maybe the Emily Rose would suit you more than it suited me. Either way, with the exception of a Martin CEO7, the Auden was some way better than pretty much everything else I tried.
Hope this is useful.
Rich
(IMHO)
I love mine. I also play it at the pub acoustic nights as not only does it sound great, it's plenty loud and its compact size is a bonus when we're all crammed round a couple tables.
https://www.muziker.co.uk/ibanez-avn3mhe-opn
It replaced an Alvarez parlour which I gave to a friend on long term loan so he could get back into playing again.