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On the electric side, I’ve been playing in the same covers band for 9 years, so I still play electric, but acoustic is where my heart lies.
The really great thing is that I spend much much more time playing now, than GASing:)
Then after moving to a different part of the country I met a guy who invited me to go along to an acoustic music session - mainly Americana stuff. I went along to listen but knew I couldn't play acoustic to their standard.
My missus encouraged me to go but, despite trying, I just couldn't play the Yammy to anything like the level of my electric playing. Perhaps if I had a better guitar? So my lovely missus, bless her, bought me a stunning Atkin guitar - telling me I now had no excuse!
It was so much easier to play the Atkin so I played it (finger style) a lot, went to that session and to others while getting better all the time. I now play acoustic at least as much as electric and really enjoy it.
Honestly it's like the electric stuff is a part of a previous life or something - I could move on from it completely (or that's how I feel right now).
Interestingly, I haven't been to many acoustic nights....! That is lovely of your wife @Jimbro66 !
@Andy79 we have a winner - no electrics!
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tbh I rarely like hearing other people playing electric-phrased solos on acoustics
It's great that 2 versions of the same basic instrument can have such widely different sounds and playing styles available
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IMO, playing acoustic guitar is a very satisfying way to play the guitar in a solo context. The acoustic guitar has more of a historical context for either occupy a singer or a solo instrument.
For a few years, I don't think I touched an electric guitar in the slightest bit in those times but I still had a few different types of guitar to keep me interested which were 6 & 12 string acoustic guitars, and flamenco as well.
In that time I was listening to a lot of acoustic guitar players in the 'primitive' genre (eg John Fahey) but over the last few years I've come across a solo players who play a similar style of music but with an electric guitar which inspired me to pick up the electric guitar again. IMO, the form of the guitar doesn't really matter, the only thing that matters is whether you're enjoying it at the time.
I think a lot of this goes back to when I was writing songs and being more interested in the whole piece of music rather just concentrating on stuff like guitar solos. Not that there is anything wrong with a good solo : >
Just listening to John Smith - great stuff!! Feel free to post stuff in here... I will!!
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Clive Carroll - Eliza's Eyes.
Stephen Wake - all his "loch" tunes and "Sleeping Tune"
John Renbourn - Lady Goes to Church.
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For simple noodling/riffing, I'll pick up an electric and plug it through my (recently acquired) ThorpyFX Gunshot, and enjoy 20mins of sub AC/DC, sub-sub ZZTop riffery.
No real end-product, and I'll generally get cries of "turn it down a bit" from Mrs TT.
But, for learning to play recognisable songs, it's acoustic every time. That probably started alongside my singing lessons - sorry, vocal coaching course - that I started a year or so ago. TBH, the backing tracks were pretty naff. so I started playing along with the singing along. Plus, it felt more comfortable standing in front of a mic with a guitar round my neck than without.
First one I did - publicly - was Behind Blue Eyes, which was fun and gave me the encouragement to do more. Neil Young, Eagles, Dire Straits, RHCP, Beatles, Clapton ... there's so much that you can do with just a voice and an acoustic guitar. No drummer required
And the wife never says "turn it down a bit" either!
I bought a box set of his early stuff (from Cherry Red) a couple of weeks ago.
6CDs, £24. Brilliant stuff.
I was in a couple of bands that didn't go anywhere much, really. One fizzled out and I was dumped from the other because they wanted to split any money four ways instead of five. (They only lasted another six months, so serves them right.)
I tried to get into others playing bass, but I found the pressure of looking after my Other Half, trying to work around that care AND learning enough songs to be in a gigging band simply impossible to manage. So I simply stopped playing for ages.
Then for reasons I don't quite get I found myself playing my acoustics a bit more often. Then I started looking for a folk-based singaround type thing. I went to a couple, wasn't impressed and then tried just the one more and loved it. Once a month (this coming Monday for this month), we get together and play all sorts of stuff. We go round the room once each, have a break and then do it again. I've heard everything from Corey Musgrave songs to Tom Waits to Turkish traditional music to Irish and Scottish folk songs, to the Beautiful South and Nick Drake and Jackson Brown and a bunch of others I've never heard of. I've found myself playing songs by 10cc, Richard Thompson, Richard Hawley, the Jacksons, Graham Parker, Ian Dury, James Taylor, Dylan, the Barenaked Ladies, the Kinks and other stuff besides.
And yes, a man who has been told 1000 times he can't sing is singing. A man who once was completely unable to breathe whilst playing (seriously) is now singing and playing, and in front of people, too.
Several things have done this for me. First, that I only need to learn two songs a month and I can promptly forget them has reduced the pressure to get a set list down pat enormously. However, that has been replaced with a new pressure, to find a song that I can do a reasonable justice to on a single acoustic guitar with just chords that is in my (bass) range as a singer. It's enormously satisfying when I succeed.
Second, the room is really supportive and friendly, but in a genuine way, and there are some seriously good musos in there who write their own stuff and do a bloody good job of it.
Third, as you can see from above, the range of music being played is about as wide as it gets, which means there's no restriction on what I can look for. In fact, the wider the taste the better, it seems.
And I'm really enjoying just banging out some chords and singing along, something I genuinely never thought I'd be able to do.
I'd still love to get up on a stage and make some proper noise with a band giving it large together, but for now I'm more than happy right where I am, thanks, just like you. (Though not nearly as well as you, obviously. And no, that's not false modesty, I've seen you play, kiddo. Gasfest 2003, was it?)
I feel a paraphrased quote from Swiss Tony ( car dealer comedy sketch show character from "The Fast Show") coming on ….. "Playing an acoustic guitar is like ……."
I've never seen him with his Mrs. - but he did a surprising gig at very short notice in my village's small 12th century church a few years back. Brilliant!
Martin Taelstrom is worth looking at - and tabs can be downloaded for many of his arrangements (some for free)
I’m a big fan of singer songwriter stuff & really enjoy seeing songs laid bare.
I was in bands at highschool, but now am MUCH more likely to volunteer to do a few songs at an acoustic open mic than to play “on stage”. I’m another who struggles with singing- I’m told I have a good voice, but that it’s lower than I think so I need to sing in the right key. Tuning to D standard helped me immensely.
Living in Edinburgh it’s relatively easy for me to find acoustic folk nights & it’s a great way to hear music even if I don’t want to play that night.
I listen to a LOT of metal/hardcore punk, but this is balanced by my addiction to the likes of Chuck Ragan, Kris Drever, Dave Hause, Dustin Kensrue, Tim Barry etc.
I saw the Revival tour a few years ago and it was BRILLIANT- Chuck Ragan (Hot Water Music), Dan Andriano (Alkaline Trio), Dave Hause (Loved Ones) and Brian Fallon (Gaslight Anthem) playing with only acoustic guitars, a double bass, fiddle and each other in backing vocals.
I’ve posted both of these before, but here you go (it’s not delicate, but I love it)
https://youtu.be/mqkUBy2H9nY
I also was knocked out by Corey Taylor’s acoustic show (via YouTube).
https://youtu.be/uetFO7y8WPA
https://open.spotify.com/artist/1ClGDsgA2JVZxx009wMtnG?si=g54PYXrcSBaE85n6ii0Q5A
She is an excellent harp player, I love listening to harp
At the small gigs I've seen her play, Clive joins in for quite a few pieces
And anyone who knows me knows that I don’t do delicate!! :-D
Glenn Matlock did an acoustic version of pretty vacant on the radio once and it sounded awesome. Not a huge fan of status quo, but their aquostic stuff worked really well too.
There’s a time and a place for heart breakingly beautiful music. Call me a philistine if you will, but unfortunately, it’s not when I’m around. (That’s not to say I don’t like something gorgeous played well, but there’s a certain sense of wispiness and fey farting around that gets my goat. As my missis has heard me yell at these people on many an occasion “stop emoting all over my telly, you’ll make it rust!”)
I went with LOL, but Wisdom would have been equally appropriate.