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I don't like knocking my electrics, but for some reason bumping an acoustic is ten times worse (IMO).
Always used to put guitars in their cases but a total pain to put in and take out so I have a rack now. Just knocked the very corner of the desk, careless!!
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Just a word about my own tale of woe. I used to leave my L'Arrivee L-01 out on a stand because I played it more than anything else at home. After a fairly warm and slightly humid summer (2012, London) I found the action had risen to the point of being unplayable - bellied top. It's been fixed without needing to reset the neck, just nut and bridge work, but it's never sounded the same.
Solid top acoustics now live in their cases. And I'm very sorry...
Is it okay on the wall hanger?
I just bought a stand for my Avalon, too.....
Maybe I'm best keeping them in their cases with humidipaks!? Hmm....
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I keep my Martin on a lowish wall hangar, positioned so I can reach it sitting down on my office chair, the previous D28 I had took a knock as I span round with a Tele in my hand and smashed the headstock into it. The 2nd ding came when I was playing said D28 on the office chair and again span round to grab my mobile phone which was ringing on the desk and I clonked the guitar top into the corner of the desk.
I don't remember how the 3rd one happened and it stopped hutting after that and I grew to love the guitar, dings and all.
The current HD28 is ding free after 12 months with just a few swirl marks on the back where it sits against my body when playing, probably from zips or buttons.
Play through the pain, get another ding or 2 and your all set.
I'm not sure hmmm.... I like having them on the stands now as I can pick up and play so easily and cases clog the room so badly.
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Solid top acoustics - in their cases.
Electrics - on a rack-style stand. I've got a Ric 330/12 and an ES-175 but their tops are ply, not solid, so they're safe to leave out (I think). The cases are in a cupboard somewhere else.
Resonator - on a stand. The top is heavy ply, but mainly the resonator itself, so...
Nothing lives where direct sunlight can get them.
If it gets very dry (i.e. in January in a modern house with the heating on), the fret ends may start to stick out a bit
Humidity-controlled room, no direct sunlight
and a lock for when feral kids visit
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Having said that, the cat once knocked my CC336 off the sofa a took a chunk of finish off the back edge. That was quite painful - worse than anything I've ever done to a guitar myself!
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All that said, I’ve come to the conclusion that the only way to avoid dings is to be very careful when handling them. At the end of the day it doesn’t matter where they live, the dings usually happen when they’re in your hands. I learnt my lesson a few years ago with my Taylor 712ce (my first expensive guitar). It has several little dings and knocks on the top, body edges and headstock, all because it gets used a lot and I wasn’t careful enough. I still love it though. I’ve had a Brook Torridge for about a year and a half now. It gets played quite a bit, but miraculously I have been careful with it and it remains ding free. I’m also more careful with the Taylor these days.
On the subject of humidity, I think it’s worth figuring out whether you have a humidity problem before starting to mess about with humidipaks. I bought a humidipak once, without really thinking, but soon got bored of using it. I sometimes notice a change in action on my acoustics, going from summer to winter, but not enough to cause concern. I think if you’re in the middle of a large land mass like the US, or in an urban heat island like London, then conditions will get extreme enough for long enough, to warrant some humidity countermeasures, but for most of the UK it shouldn’t be a big problem.