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Comments
I've owned it for a few years now and until very recently I never really enjoyed the sound it produced - the sound was just a bit too much in particular in the basses and trebles, a bit boomy of sorts. In the last few months the guitar has really balanced out in it's sound, less boomy and very balanced across the spectrum.
Sometimes I wander into a shop and try a D28 and kind of want one, but I prefer the fatter neck on my E8D to the skinnier ones on the newer Martins, and I don't think there's a grand's worth of difference to the sound for my tastes and purposes. E10SS sounds flat out better, to me, than all the new J45s I've tried, although the vintage ones are a different story
There's is no way on God's green earth I would have attempted to compare my jazz box to something like a Gibson ES175 VOS, because it would not stack up to closer scrutiny.
Obviously, if for example I was a salesman for Eastman I may say something different ; >
cheap mic and too much 'processing' on an early version of a tune for my wee sister.
As for fit and finish, I've owned a Gibson CJ165R and a Songwriter Deluxe, both brand new, and both needed work on them in the weeks after I bought them. The Songwriter needed fret levelling to eliminate buzz, while the CJ required a new nut installing. Stuff like that, while it may be a bit irritating, is not significant for me. Both guitars had unique sounds that were worth spending a few bob on to tidy up a few loose ends. Incidentally, neither of my two Eastmans have required any work straight out of the box.
I hate to say it but I think some of their output would probably stack up very favourably against many new Gibsons (particularly at the price). Gibson have become increasingly hit and miss over the years with increasing numbers of misses. Sad really as my old refinished '66 SG Standard is amazing and easily the best guitar I've ever owned.
And very hard to sell used
Never played a guitar as much as l have played this one.
Great Fingerpicker
Love it to bits.