Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I like my flatpicking acoustics set with 13-56s, 7/64” on low E, 5/64” high E @ 12th fret with .003 - .005 relief.
For fingerpicking its 12-52s, 3/32” low E and 2/32” high E. Same relief (ie virtually none).
I tend not not to go up the dusty end all that often so mid-neck action is way more important to me than what’s happening at 12th fret, which is why I’m happy for that to be a bit higher in exchange for less relief in the middle.
Other critical measurement I check - string height off the top right in front of the bridge (looking for no less than 7/16” on 5th string there).
http://www.frets.com/FretsPages/Musician/Guitar/Setup/NeckAngle/neckangle.html
Essentially, if you are happy with the action at present, the modified saddle will need to be its present height MINUS the thickness of the Baggs Element transducer strip.
The L.R. Baggs installation instructions will explain exactly how the modified saddle should sit in its slot.
The L.R. Baggs instructions will probably also make their usual assertion that the product warranty is voided by home/hobbyist installations.
+1
In recent weeks, I have de-Baggs-ed my 2005 Martin DM dreadnaught. (The Anthem SL system is out. I intend to change to their Lyric system.) I shaped a Graphtech TUSQ saddle to the desired height. My guitar sounds louder and more dynamic without a metallic strip between the wood and the saddle - much as it did when I first acquired it.
However, to clarify the Baggs Element was factory fitted, so it's already in the guitar. What I'm looking at is an action in excess of 3mm which I want to lower without damaging the piezo strip or ruining the contact.
The action measurement by itself means little. Neck relief (or the absence of it) must also be taken into consideration.
To alter the height of the bridge saddle, extract it from the slot. Leave the Baggs Element strip exactly where it is. Take note of how far across the slot the end of the strip sits.
Having determined by how much your saddle is too tall, mark that distance along the sides of the saddle. Use abrasives to remove the surplus bridge material. Attach the abrasive paper(s) to something flat and firm. Hold the saddle perpendicular to the surface of the abrasive.
Arrive at the correct height by trial and error. You can always cut more off. You cannot put any back.
7/64" at the 12th would be considered on the high side by many, so I can see why one would seek to lower it. I have mine there because I don't do much past the 9th fret (no money up there, as Norman Blake would say) so what I want it is a near flat neck for a comfortable and consistent mid-neck action. This required a higher action at the 12th to achieve, but I don;t care. Actually, there's a big benefit because it facilitates a higher string height above the soundboard which generally translates into more torque and thus more power.
I know it's a bit of a digression but I think it's something that gets overlooked a lot, and that is in no small part because lots of repairers/set up people just don't have a handle on it. They romp straight for sticking an arbitrary .008" - .010" relief into a neck because they think that's how you stop buzz - even more sometimes - and then start thinking about bringing the action down at the saddle for playability, before checking whether action at the 12th is in any way relevant to the player. Most of the time, it really isn't.