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Is that a shop price?
If private, then to me it sounds a little high. I sold a Collings for £2400 a while back, and that was mahogany but in sunburst with an Adi top, which are extras that Collings charges a hell of a lot for.
I wouldn't like to pay any more than about the same for a D3 in IRW/sitka, personally. You might even lose a couple of hundred on resale at that, but if it's a good one, then it's probably worth it.
For current RRP you might try emailing a dealer... UK ones listed here on the pull-down menu. http://www.collingsguitars.com/dealers/
If ‘yes’ - I’d think twice. OMs are great ‘all-rounders’ - Dreadnoughts are great at what they do - but not as versatile.
If you fancy a Dreadnought, there are cheaper alternatives which might fit the bill. One of the best I ever played was a ‘73 D35 at well below half the price of the Collings you’re considering.
This may not be a popular opinion - but I’m not a fan of Collings guitars generally. They are very precisely made - but don’t sound inherently better than their ‘less well-made’ competitors in my experience - and not a patch on the Santa Cruz guitars I’ve played.
Hi Richard, No I wouldn't offload my OM - it's just starting to open up nicely. I enjoy buying guitars at a good second hand price, playing them for a few years and then moving onto something else, having often recouped pretty much what I spent on then originally. I just couldn't find any info on Collings guitars in the UK, either new or used to know where the value of this guitar lay. Thanks for your input. Much appreciated.
I'm not a defensive Collings owner - people like what they like - but the two I've had from new and very nearly new mellowed noticeably after about 6 months worth of play. They still have pronounced highs and upper mids but that's the Collings sound. You can adjust how you play to temper them, but then they are there when you want them.
In terms of stiffness, the longer scale on a Collings can have a bearing. That's why it's so important to set the relief properly on them - even a slight upward deviation from the spec .005" can have them feeling like hard work (I actually have .003" on mine with no buzzes whatsoever but your frets need to be in tip top shape for that).
They can all vary from guitar to guitar. One Santa Cruz OM I played was probably the best sounding acoustic I've ever played but that was a 12 fret slot headstock guitar with a very wide fingerboard so wouldn't have worked for me from a practical playing point of view. I also played a Santa Cruz Pre-war D that was stunning. I then went looking for one of those, and couldn't find one that I liked. In the end I got a Martin HD28V - but they can vary too.
If you ask me the ten best sounding acoustics I've played, there would be 3 or 4 Santa Cruz, 3 or 4 Martins, a Brook, a Lowden or two and maybe one or two Czech guitars from Furch or Rosawood. Where I am in agreement with several others in this thread is that there definitely wouldn't be a Collings in that list. Most of the Collings I have played were new, so maybe they are better when they have a bit of age on them, but I really don't get the fuss about them.
About 15 years ago I became very interested in Collings acoustics after gigging with an American flat-picker who used and endorsed them. In his hands they sounded great. IIRC a D3, if you could find one, was around £2.8k - £3k new at that time from the very few UK dealers. I would guess that 20 years ago a D3 might have been a little less. The price of Collings acoustics has increased hugely since then so it's very difficult to put a used value on them. I guess, as always, it is what buyers will pay.
FWIW I bought a Santa Cruz instead of a Collings and kept that for several years until I tried and bought an Atkin - but that's another story.
I will echo @Lewy's comment that the extra bling of the D3 might not make it more desirable, or even worth much more.
It was. Steve has incredible flatpicking technique, is a shrewd businessman and most of all is a very likeable guy. He told me that through the period of his Winfield wins he practiced a minimum five hours a day, every day!
BTW his brother is a very accomplished bluegrass banjo player and during the noughties was living in England. I don't know if he still does.
Anyway, back to Collings D3s. Sorry OP