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sweet sound
I'm not locked in here with you, you are locked in here with me.
I'm not locked in here with you, you are locked in here with me.
Somewhere twixt an octave mandolin and a guitar. Generally used for drones, chordal strums and counter melody in trad music. Most popular tuning seems to be GDAD and the bass strings can be either unison or octave pairs. ADAD is a bit "dronier" while GDAE (mandolin/fiddle tuning 1 octave down) leans more towards tune playing (although the scale length can make this a challenge, unless you capo into friendlier keys).
Even if one doesn't consider it to be the king, it's the father for sure.
Here's a video of a legend of the instrument
Tenor guitar
Wooden bodied resonator or preferably a Weissenborn
Also I bought a mando-strat
Bugger to tune, and the only thing I can play on it is the James Bond theme.
my daughter and I are seriously considering re-tuning the main strings (let’s forget resonators for now) to Guitar pitch and let rip.
A uilleann chanter <> 100 yr old 4 keys making it fully chromatic, wonderful sound and feel, 's why I bought it. Must get of my a*s and get a new bag made for it - got the bellow. Then a few months getting back to where I was before the bag gave out.and take up from there 'learning'.
Because these earlier ones are individually made there was no 'standard' dimensions - so you really have to have the reed made for each chanter - something I intend to grt into - given time and health.
There's a great local band here where the front fella plays a (copy of a) Weissenborn on a bunch of their songs - sounds great
Oh and they added three 'tenor' drones with more keys so you can accompany ur'self like this -
oops - that did'nt post the video - try again -
http://https//youtu.be/OAtEnKBvmbM
I had a banjo, but in 6months of concerted effort I only achieved being bad rather than awful. i was learning Scruggs style picking and it was SO hard! Sounded great in the few moments I got it together, but they were too few.
its surprisingly loud too!
Resonators are great but also VERY loud by design- I loved the tone, but didn't love my children being woken whenever I got carried away and started digging in.
Instead I bought a lap steel, which is great fun- you needn't spend a fortune on one. The tone is in the heavy strings and heavy bar. So long as the instrument can take the tension and the pickup is ok it's all good.
Its worth building a three string cigar box (CBG) if you want to dabble in fun instruments but don't want to shell out: I built mine for £20 (& I had money left over). I've got a piezo in it and have even gigged it once or twice. I couldn't be bothered with frets, so I play it slide & have it tuned DGd. Simple fun.
Mandolin is huge fun, if a very cramped space to work in. I mainly play it at folk jam sessions where we have too many guitarists & not enough other instruments. A mandolin is an excellent travelling instrument too- even with two small children filling the car with their accoutrements I can sneak the mandolin and its hardcase in there.
Watch Chris Thile & be amazed.
I've had multiple attempts at mando but have always given up in the end because it would appear that I am the world's greatest mandolin tone snob and only the sound of a high end mando in the hands of a master is pleasing to mine ear and everything else is like someone pouring ammonia mixed with pins directly into my brain.
Banjo - I got the basics of clawhammer/frailing/old time banjo together, and still have a fairly decent open back banjo knocking around. Having a good grounding in open G tuning made that come along quite quickly and being really into old rural blues I felt it gave me a more fundamental understanding of the mutation of blues from banjo to guitar music. Sadly the curse of my paper thin nails meant that I struggled to get a good strong tone for long before my nail just wore away to nothing. Never tried Scruggs style bluegrass banjo. During a CW Stoneking phase I also got a short scale 4 string tenor banjo, which I tuned to "chicago" tuning, which is basically the top four strings of standard guitar. That was fun.
Reso - extensive explorations in matters resophonic.
CBG - I have a 3 string one which is currently sitting next to a 1920s one string PhonoFiddle as part of a little curio arrangement in my downstairs bog, which is about where it belongs.
Weisenborn - such a lovely sound, but the cheap ones don't achieve it. You're better off getting a decent standard acoustic (something like an all solid Recording King) set up as a lap style guitar a la Kelly Joe Phelps imo than spending the same money on one of the cheap Weiss's you see on ebay etc. It's really just a case of having a nice high bone nut fitted. You can get metal nut risers but they don't sound as good and are usually too high.
Don't over look the noble (but albeit horribly hipsterfied) ukulele. There is so much chord inversion vocab you can learn on uke that then translates straight back over onto guitar - you'll never struggle to find triads on the top strings ever again.
Whatever it is it sounds good.
I'm not locked in here with you, you are locked in here with me.
They're the ideal compromise between percussion and stringed instruments.
Have a listen to what Kaki King does with the big brother of that ^^^^^
I will get a resonator again one day
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