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Personally I like the cheap Dunlops rather than G7ths - just because of balance.
Try clipping a capo onto the headstock of the guitar and you will usually hear a (admittedly fairly subtle) change in tone. It's going to have a similar, although probably lesser, effect if it's halfway up the neck. So using one of a different mass will also most likely have a different effect.
That isn't to say anyone listening will necessarily notice though.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I find it impossible to deciding which set of strings suite which tunes I play.
I changed the buttons on my Schaller machine heads from metal to Ebony on one of my guitars - the sound of that guitar is waaaay darker and I find it impossible to play any of my 'happy' tunes on it now.
I just want to jam with my buddy's without all these distractions.
ho hum
I also once had a '61 J-45 (which I shouldn't have sold, but that's another story!) which came to me with Schallers. I replaced them with the modern Gibson Kluson-style (but still cast, with front nut) ones - the guitar sounded *far* better. After I sold it, the next owner put some original three-on-a-strip Klusons back on it… and it didn't sound as good. There must have been something about the exact weight of the Gibson heads that made the neck resonate perfectly, I think.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson